Feminism Goes Mainstream? Feminist Themes in Mainstream Popular Music in Sweden and Denmark

Abstract

Appen, R., Doehring, A., Helms, D. and A. Moore (eds. 2015) Song Interpretation in 21st-Century Pop Music. Farnham: Hashgate.

Adriaens, F. and S. van Bauwel. (2014), ‘Sex and the City: a postfeminist point of view? or how popular culture functions as a channel for feminist discourse”, The Journal of Popular Culture, 4(1): 174–95.

Amenta, E., Caren, N., Chiarello, E. and Su, Y. (2010), “The political consequences of social movements”, Annual Review of Sociology, 36: 287–307.

Amenta, E. and Polletta, F. (2019), “The Cultural impacts of social movements”, Annual Review of Sociology, 9(18): 279–299.

Askanius, T. and Møller Hartley, J. (2019), “Framing gender justice: a comparative analysis of #Metoo in Denmark and Sweden”, Nordicom Review, 40(2): 19–36.

Baker, S., Bennett, A. and Taylor, J. (2013), Redefining mainstream popular music. Abingdon, NY: Routledge.

Banaszak, L. E. and Ondercin, H. L. (2016), “Public opinion as a movement outcome: the case of the u.s. women’s movement”, Mobilization, 21(3): 361–378.

Benford, R. D. and Snow, D. A. (2000), “Framing processes and social movements: an overview and assessment”, Annual Review of Sociology, 26: 611–639.

Bennett, A. (1999), “Rappin’ on the Tyne: White hip hop culture in Northeast England - an ethnographic study”, The Sociological Review, 47(1): 1-24.

Bennett, A. (2008), “

Towards a cultural sociology of popular music”, Journal of Sociology, 44(4), pp. 419–432. doi: 10.1177/1440783308097130.

Bosi, L., Giugni, M. and Uba, K. (2016) (eds), The consequences of social movements. Cambridge: Cambridge University Press.

Boyatzis, R. E. (1998), Transforming qualitative information: thematic analysis and code development. Thousand Oaks: Sage.

Butler, J. (1992), “Contingent foundations: feminism and the question of postmodernism”, in Butler, J. and Scott, J. W. (eds), Feminists theorise the political. London: Routledge.

Carlsson Tenitskaja, A. and Svensson, A. (2018), “Riksdagen röstade ja till samtyckeslagen”, Dagens nyheter, 2018-05-23.

Dahlerup, D. (2018), “Gender equality as a closed case: a survey among the members of the 2015 danish parliament”, Scandinavian Political Studies, 41(2): 188–209.

Dhamoon, R. K. (2013), “Feminisms”, in Waylen, G. et al. (eds), The Oxford handbook of gender and politics. Oxford: Oxford University Press: 88–110.

Daphi, P. and Zamponi, L. (2019), “Exploring the Movement-Memory Nexus: Insights and Ways Forward”, Mobilization, 24(4): 399–417.

Duncombe, S. (1997), Zines and the politics of alternative culture. London: Verso.

Earl, J. (2004), “Cultural consequences of social movements”, in Snow, D. A., Soule, S. and Kriesi, H. (eds), The Blackwell companion to social movements. Malden, MA: Blackwell: 508–530.

Eisenstein, H. (2016), “Hegemonic feminism, neoliberalism and womenomics: “empowerment” instead of liberation?”, New Formations, 92: 35–49.

Eyerman, R. and Jamison, A. (1998), Social movements and music. Minneapolis, MN: University of Minnesota Press.

Farhall, K. (2015), “’We love make-up, romance, high heels and men, of course’: The contradictions of pop feminism”, in Kiraly, M. and Tyler, M (eds), Freedom Fallacy: The Limits of Liberal Feminism. Melbourne: Connor Court Publishing: 95–104.

Farrell, A. (1995), ““Like a Tarantula on a Banana Boat”: Ms. Magazine, 1972–1989”, in Ferree, M. M. and Martin, P. Y. (eds), Feminist organizations: harvest of the new women’s movement. Philadelphia, PA: Temple University Press: 53–68.

Federici, S. (2015) [1998], Calibano e la strega. Le donne, il corpo e l’accumulazione originaria. Roma: Mimesis.

Fraser, N. (2013), Fortunes of feminism. London: Verso.

Fraser, N. (2016), “Progressive neoliberalism versus reactionary populism: a choice that feminists should refuse”, NORA – Nordic Journal of Feminist and Gender Research, 24(4): 281–284.

Friedman, J. C. (ed. 2013), The routledge history of social protest in popular music. New York: Routledge. doi: 10.4324/9780203124888.

Gill, R. (2016), “Post-postfeminism? new feminist visibilities in postfeminist times”, Feminist Media Studies, 16(4): 610–630.

Halberstam, J. J. (2012), Gaga feminism: Sex, gender, and the end of normal. Boston: Beacon Press.

Hall, S. (2009), “Notes on deconstructing “the popular””, in Storey, J. (ed), Cultural theory and popular culture: a reader. 4th ed. Harlow: Pearson Education: 508–518.

Hebdige, D. (1979), Subculture: the meaning of style. London: Routledge.

Hollows, J. (2000) Feminism, femininity and popular culture. Manchester: UP.

Huber, A. (2013), “Mainstream as metaphor: imagining dominant culture”, in Baker, S., Bennett, A. and Taylor, J. (eds), Redefining mainstream popular music. London: Routledge: 3–14.

Isaac, L. (2009), “Movements, aesthetics and markets in literary change: making the american labor problem novel”, American Sociological Review, 74(6): 938–965.

James, R. (2017), “Post-feminism’s “new cultural contract” and electronic dance music’s queered voices”, Dancecult, 9(1): 28–49.

Kaplan, T. (1992), Red city, blue period: social movements in picasso’s barcelona. Berkeley: University of California Press.

Keller, J. and Ringrose, J. (2015) ““But then feminism goes out the window!”: exploring teenage girls’ critical response to celebrity feminism”, Celebrity Studies, 6(1): 132–135.

Laing, D. (2015), One chord wonders. London: PM Press.

Lorber, J. (2012), Gender inequality: feminist theories and politics. 5th ed. Oxford, New York: Oxford University Press.

Martínez-Jiménez, L., Gálvez-Muñoz, L. and Solano-Caballero, Á. (2018) “Neoliberalism goes pop and purple: postfeminist empowerment from Beyoncé to Mad Max”, Journal of Popular Culture, 51(2): 399–420. doi: 10.1111/jpcu.12671

Maskell, S. (2013) “I Predict a Riot: Riot Grrrls and the Contradictions of Feminism”, in Friedman, J. C. (ed.) The routledge history of social protest in popular music. New York: Routledge: 184–197

McRobbie, A. (2004) “Post-feminism and popular culture”, Feminist Media Studies, 4(3): 255–264. doi: 10.1080/1468077042000309937.

Mikkelsen, F. (2018), “Denmark 1946–2015: popular struggle in an era of democracy”, in Mikkelsen, F., Kjeldstadli, K. and Nyzell, S. (eds), Popular struggle and democracy in Scandinavia. London: Palgrave Macmillan: 111–161.

Mill, J. S. and Mill, H. T. (1970), Essays on sex equality. Chicago: University of Chicago Press.

Miller, K. L. and Plencner, J. (2018), “Supergirl and the corporate articulation of neoliberal feminism”, New Political Science. Routledge, 40(1): 51–69.

Peloff, A. (2011), Unexpected feminisms: How popular culture brought feminism beyond the movement. Seattle, WA: University of Washington.

Pescosolido, B. A., Grauerholz, E. and Milkie, M. A. (1997), “Culture and conflict: the portrayal of blacks in u.s. children’s books through the mid- and late-twentieth century”, American Sociological Review, 62(3): 443–464.

Peterson, A., Thörn, H. and Wahlström, M. (2018), “Sweden 1950–2015: contentious politics and social movements between confrontation and conditioned cooperation”, in Mikkelsen, F.,

Kjeldstadli, K. and Nyzell, S. (eds), popular struggle and democracy in Scandinavia. London: Palgrave Macmillan: 377–432.

Rivers, N. (2017), Postfeminism(s) and the arrival of the fourth wave. London: Palgrave

Macmillan.

Rochon, T. R. (1998), Culture moves: ideas, activism, and changing values. Princeton, NJ: Princeton University Press.

Rose, T. (1994), Black noise: rap music and black culture in contemporary America. London: Wesleyan University Press.

Rottenberg, C. (2018), The rise of neoliberal feminism. Oxford: Oxford

University Press. doi: 10.1093/oso/9780190901226.001.0001.

Sandoval, C. (2000), Methodology of the oppressed. Minneapolis, MN: University of Minnesota Press.

Spehar, A. (2019), “Feminist policy mobilization and intersectional consciousness”, in Irvine, J., Lang, S., and Montoya, C. (eds), Gendered mobilization and intersectional challenges. London: Rowman & Littlefield International / ECPR Press, : 42–66.

The Atlantic (2013), Why is Sweden so good at pop music? https://www.theatlantic.com/entertainment/archive/2013/10/why-is-sweden-so-good-at-pop-music/280945/

Thurfjell, G. (2018), “Emma Knyckare: ”Man borde göra en festival utan män, så blir vi av med problemet”“, Dagens nyheter, 2018-07-31.

Thornton, S. (1995), Club Cultures: music, media and subcultural capital. Oxford: Polity Press.

Ullrich, P., P. Daphi and B. Baumgarten (2015), “protest and culture: concepts and approaches in social movement research – an introduction”, in Baumgarten, B., Daphi, P. and Ullrich, P. (eds), Conceptualizing culture in social movement research. London: Palgrave: 1–23

Vestergren, S., Drury, J. and Hammar Chiriac, E. (2017), “The biographical consequences of protest and activism”, Social Movement Studies, 16(2): 203–221.

Weidhase, N. (2015), ““Beyoncé feminism” and the contestation of the black feminist body”, Celebrity Studies, 6(1): 128–131.

Willis, E. (1984), “Radical feminism and feminist radicalism”, Social Text, 9/10: 91–118.