Populism, Music and the Media. The Sanremo Festival and the Circulation of Populist Discourses

Abstract

Alexander, J.C. (1990) “Analytical Debates: Understanding the Relative Autonomy of Culture” In J.C. Alexander and S. Seidman (eds), Culture and Society: Contemporary Debates, Cambridge: Cambridge University Press

Alexander, J.C. (2003) The Meanings of Social Life. A Cultural Sociology, Oxford: Oxford University Press

Alexander, J.C. (2004) “Cultural pragmatics: social performance between ritual and strategy”, Sociological Theory 22(4): 527-573

Barra, L., Manzoli, G., Santoro, M. and Solaroli, M. (2019) “Un marziano all’Ariston Mahmood tra televisione, musica, politica e identità”, Studi Culturali, XVI (2): 339-343

Baym, N.K. (2018) Playing to the crowd: Musicians, audiences, and the intimate work of connection, New York: NYU Press

Bennett, A., Taylor, T. and Woodward, I. (eds 2014) The Festivalization of Culture, London: Ashgate

Bickerton, C.J, and Invernizzi Accetti, A. (2018) “Techno-populism’ as a new party family: the case of the Five Star Movement and Podemos”, Contemporary Italian Politics, 10 (2): 132-150

Bonetti, A. (2019) “Sanremo 2019, ecco come si vota: dettagli, costi e limitazioni”, in Eurofestivalnews.com, February, 3, 2019 (https://www.eurofestivalnews.com/2019/02/03/sanremo-2019-ecco-come-si-vota-dettagli-costi-e-limitazioni/)

Caiani, M. and Graziano, P. (2019) “Understanding Populism in times of crises”, West European Politics 42(6): 1141-1158

Chadwick, A. (2013) The hybrid media system: Politics and power, Oxford: Oxford University Press

Coleman, E.G. (2010) “Ethnographic approaches to digital media”, Annual Review of Anthropology, 39(1): 487-505

Cottle, S. (2006) “Mediatized Rituals: Beyond Manufacturing Consent”, Media, Culture & Society, 28(3): 411-432

Couldry, N. and Hepp, A. (2017) The Mediated Construction of Reality, London: Palgrave

Couldry, N., Hepp, A. and Krotz, F. (2010) (eds) Media Events in a Global Age, London: Routledge.

Damiata, R. (2019) “Sanremo diventa caso politico. Di Maio: "Colpa di giornalisti e radical chic", in Il Giornale, 10/02/2019, (http://www.ilgiornale.it/news/spettacoli/sanremo-diventa-caso-politico-maio-dice-sua-1643212.html)

Danaher, W.F. (2010) “Music and Social Movements”, Sociology Compass 4(9): 811-823.

Dayan, D. and Katz, E. (1994) Media Events. The Live Broadcasting of History, Cambridge: Harvard University Press.

De Cleen, B.
(2009) “Popular music against extreme
right populism
The Vlaams Belang and the 0110 concerts in Belgium”, International Journal of Cultural Studies, 12(6): 577-595

Engesser, S., Ernst, N., Esser, F. and Büchel, F. (2017) “Populism and social media: how politicians spread a fragmented ideology”, Information, Communication & Society, 20(8): 1109-1126

Eyerman, R. and Jamison, A. (1998). Music and Social Movements. Cambridge: Cambridge University Press

Facci, S. and Soddu, P. (2011) Il Festival di Sanremo. Parole e suoni raccontano la nazione, Roma: Carocci

Fitzi, G. (2019) “Political populism as a symptom of the great transformation of democracy”, In G. Fitzi, J. Mackert and B.S. Turner (eds) Populism and the Crisis of Democracy, Volume 2: Politics, Social Movements and Extremism, London: Routledge: 1-8

Gillespie, T. (2018) Custodians of the Internet: Platforms, content moderation, and the hidden decisions that shape social media, New Heaven: Yale University Press

Griswold, W. (1994) Cultures and societies in a changing world, London: Sage

Hawkins, K.A., Riding, S. and Mudde, C. (2012) Measuring populist attitudes. Committee on Concepts and Methods, Committee on Concepts and Methods Working Paper Series, 55.

Hepp, A. (2008) “Case studies”, n H.B. Brosius (ed.), The International encyclopedia of communication, London: Blackwell: 415-419

Hepp, A. and Couldry, N. (2010) “Introduction: media events in globalized media cultures”, in: N. Couldry, A. Hepp, and F. Krotz (eds.) Media events in a global age. Abingdon: Routledge: pp. 1-20

Hepp, A. and Krotz, F. (2008) “Media events, globalization and cultural change: An introduction to the special issue”, Communications, 33(3): 265-272

Hine, C. (2017) “Ethnographies of online communities and social media: Modes, varieties, affordances” in N.G. Fielding, R. M. Lee and G. Blank (eds) The SAGE handbook of online research methods, London: Sage: 401-415

Il Tempo (2019) “Di Maio contro il ribaltone: d'ora in poi solo televoto a Sanremo”, Il Tempo, 10/02/2019 (https://www.iltempo.it/speciale-sanremo-2019/2019/02/10/news/luigi-di-maio-televoto-festival-di-sanremo-giuria-beppe-severgnini-popolo-elite-ribaltone-radical-chic-1109376/)

Jordan, MF. (2013) “The Obama's iPod: Popular Music and the Perils of Postpolitical Populism”, Popular Communication, 11 (2): 99-115

Kane, A. (1991) “Cultural analysis in historical sociology: The analytic and concrete forms of the autonomy of culture”. Sociological Theory, 9 (1): 53-69

La Repubblica (2019) “Sanremo, Marcello Foa si schiera: ‘Il sistema di voto va corretto’. E Ultimo attacca ancora”, La Repubblica Online, 11/02/2019, (https://www.repubblica.it/dossier/spettacoli/festival-di-sanremo-

/2019/02/11/news/marcello_foa_si_schiera_il_sistema_di_voto_del_festival_di_sanremo_va_corretto_-218851952/)

Lana, A. (2019) “Mahmood ha vinto Sanremo 2019 Critico Salvini via Twitter, lui replica: ‘Sono italiano al 100 per cento’”, La Repubblica online, 10/02/2019. (https://www.corriere.it/spettacoli/festival-sanremo/notizie/mahmood-vincitore-sanremo-2019-d2a781c8-2cbf-11e9-92b2-6bfd997a5493.shtml)

Mudde, C. (2004) “The populist Zeitgeist”, Government and Opposition, 39: 541-563.

Mudde, C. and Kaltwasser, C.R. (2017) Populism: A very short introduction, Cambridge: Oxford University Press

Nolan, D. and Brookes, S. (2015) “The problems of populism: celebrity politics and citizenship”, Communication Research and Practice, 1(4): 349-361

Patch, J. (2016) “Notes on Deconstructing the Populism: Music on the Campaign Trail, 2012 and 2016”, American Music, 34(3): 365-401

Peddie, I. (ed. 2006) The resisting music: Popular music and social protest, Aldershot: Ashgate

Postill, J. and Pink, S. (2012) "Social media ethnography: The digital researcher in a messy web", Media International Australia 145 (1): 123-134.

Santoro, M. (2006) “The Tenco effect. Suicide, San Remo, and the social construction of the canzone d'autore”, Journal of Modern Italian Studies, 11 (3): 342-366

Santoro, M. (2010) Effetto Tenco. Genealogia della canzone d’autore, Bologna: Il Mulino

Street, J. (2004) “Celebrity Politicians: Popular Culture and Political Representation”, British Journal of Politics and International Relations, 6: 435-452

Street, J. (2014) “Music as Political Communication”, in K. Kenski, and K. Jamieson (eds.), The Oxford Handbook of Political Communication, Oxford: Oxford University Press: 885-897

Tomatis, J. (2019) Storia culturale della canzone italiana, Milano, il Saggiatore.

Van Dijck, J., Poell, T. and De Waal, M. (2018) The platform society: Public values in a connective world, Cambridge: Oxford University Press

Way, L. C. (2019) “Discourse, music and political communication: Towards a critical approach”. Journal of Language and Politics, online first 29 May 2019