Fulltext version
| Music and Discourse: Theoretical and Empirical Insights | Details PDF |
| Laura Tommaso, Stefania M. Maci | 1-278 |
| Title Page | Details PDF |
| 1-2 |
| Table of Contents | Details PDF |
| 3-4 |
| Music and Discourse: Theoretical and Empirical Insights | Details PDF |
| Laura Tommaso, Stefania M. Maci | 5-11 |
| Lines of Longitude and Latitude. Defining text genres in popular music discourse | Details PDF |
| Michele Sala | 13-39 |
| America’s Greatest Rock Critic: A Corpus Stylistics Investigation on Lester Bangs’s Texts | Details PDF |
| Gilberto Giannacchi | 41-62 |
| “I Remember when The Beatles Came”: A Corpus-Assisted Discourse Study of Women’s Musical Oral Histories | Details PDF |
| Laura Tommaso | 63-89 |
| Pop song Lyrics through the Lens of Sociolinguistics. A case study of Bob Dylan’s Lyrics | Details PDF |
| Giuliana Garzone | 91-112 |
| Sentiment and Emotions in Taylor Swift’s Albums. A Journey through the Eras | Details PDF |
| Maria García-Gámez, Antonio Moreno-Ortiz | 113-134 |
| The Grammar of Dissent. Green Day’s Evolving Critique of American Society | Details PDF |
| Stefania M. Maci, Silvia Bertulezzi | 135-159 |
| Punk Music, Discourse, and Culture. Exploring the Intersection with Edupunk | Details PDF |
| Viviana Gaballo | 161-186 |
| Oppositional Music Mash Ups: Populist Manifestations in Online Criticism to UK Conservative Government Actions | Details PDF |
| Lyndon Way | 187-206 |
| Multisensory Opera: Enhancing the Senses for and with Persons with Visual Disabilities | Details PDF |
| Elena Di Giovanni | 207-222 |
| A Systemic-Functional Approach to Music, Meaning and Multimodal Transposition | Details PDF |
| Diego L. Forte | 223-238 |
| The Close Link between Language and Music | Details PDF |
| Patrice Larroque | 239-259 |
| “You Give Love a Bad Name”. Using Popular Song Titles to Teach Direct and Indirect Objects in English | Details PDF |
| Michael J. Zerbe | 261-277 |
| Colophon | Details PDF |
| 278 |
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