Fulltext version
| Experiencing Shakespeare in Digital Environments | Details pdf |
| Alessandra Squeo, Maddalena Pennacchia, Reto Winckler | 1-278 |
| Title page | Details pdf |
| 1-3 |
| Table of contents | Details pdf |
| 5-6 |
| Introduction | Details pdf |
| Alessandra Squeo, Maddalena Pennacchia, Reto Winckler | 7-22 |
| Part I - The digital turn in textual studies, scholarly editing and pedagogy | Details pdf |
| 23-24 |
Part 1
| “Such stuff as ‘texts’ are made on”. Digital Materialities and (Hyper)editing in The Internet Shakespeare Edition of ‘King Lear’ | Details pdf |
| Alessandra Squeo | 25-51 |
| Link It “to the source from whence it came”. Shakespeare Source Study after the Digital Turn | Details pdf |
| Silvia Silvestri | 53-71 |
| Vertical and Distant Reading of Shakespeare with Digital Natives. The Case of ‘The Merchant of Venice’ | Details pdf |
| Maristella Gatto | 73-93 |
| Interdisciplinary Uses of Digital Editions for Italian High School Students. Shakespeare’s ‘Cymbeline’ and the Silvano Toti Globe Theatre | Details pdf |
| Michela Compagnoni | 95-110 |
| Part II - Intermediality and performance | Details pdf |
| 111-112 |
Part 2
| A King of Infinite (cyber)space? The Digital Remapping of Shakespeare in light of The Globe’s Emma Rice Controversy | Details pdf |
| Orlagh Woods | 113-131 |
| The ‘Networking’ of the Shrew. Katherina Minola on Facebook | Details pdf |
| Maria Elisa Montironi | 133-149 |
| “My Kingdom for an Iphone”. Shakespeare and Mobile Phones | Details pdf |
| Cristina Paravano | 151-167 |
| Shakespeare and Digital Pathways. Shortening distances with ‘Romeo and Juliet’ | Details pdf |
| Mariacristina Cavecchi | 169-187 |
| Part III - Adaptations and appropriations in digital contexts | Details pdf |
| 189-190 |
Part 3
| Image, Music, Text. Notes on The Digital Video Disc edition of William Shakespeare’s ‘Romeo+Juliet’ by Baz Luhrmann | Details pdf |
| Pierpaolo Martino | 191-205 |
| “To meme or not to meme”, and to do so during a Pandemic. Shakespeare and the Memetic Transmission of a Classic | Details pdf |
| Carlotta Susca | 207-223 |
| Back to the Future. ‘Hamlet Encounters’ and the Use of VR to Address a Time “out of joint” | Details pdf |
| Anita Orfini | 225-237 |
| Shakespeare in Jail. Hamlet in Rebibbia: from Stage to Live Streaming Performances | Details pdf |
| Valeria Brucoli | 239-256 |
| Hacking Hamlet. Sam Esmail’s ‘Mr. Robot’ as Update, Port and Fork of the Shakespearean Source Code | Details pdf |
| Reto Winckler | 257-276 |
| Colophon | Details pdf |
| 277-278 |
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