The Close Link between Language and Music


Abstract


It is a well-known fact that the relationship between music and the sound of speech must involve the music of the language which, like language, functions on two axes: one is horizontal and concerned with sequences, and the other is vertical and permits the production, selection, and availability of sounds and phrases. There is, indeed, a close link between the phonic system of a language and the structure of its music, and this can be shown by comparing both systems. The present chapter explores music, and songs in particular, to demonstrate the placement of word stress, syllable structure, metrical structure, and various prosodic features which are components shared by the two domains. For example, introducing the rhythm of English and suprasegmental features in both the linguistic and musical descriptions of a sentence/utterance or lyrics line may bring to light relevant aspects of both areas. Also, this text seeks to broaden our understanding of the phonology of English and expand upon the correlation between the musical and linguistic systems, and may contribute to supplying foreign learners of English with specific and perceptual reference points


Keywords: phonology, music-speech relationship, English rhythm, word stress, metrical structure.

References


Abercrombie D. [1967] 1990), Elements of General Phonetics. Reprint edition, Edinburgh University Press, Edinburgh.

Attridge D. 1982, The Rhythm of English Poetry, Longman, London and New York.

Benveniste E. 1974, Problèmes de linguistique générale, vol. 2, Gallimard, Paris,

Brown H. D. 2024, Principles of Language Learning and Teaching (6th edition), Pearson Education, Philadelphia PA.

Carr Ph. 2012, English Phonetics and Phonology: An Introduction (2nd edition), Wiley Blackwell, London.

Deas S. 1955, Music, In Scotland. A Description of Scotland and Scottish Life, Henry W. Meikles (ed.), pp. 210-213, Thomas Nelson and Sons Ltd., London, Edinburgh, Paris, Melbourne, Toronto, and New York.

Dell F. and Halle J. 2005, Comparing musical text setting in French and English, in J. L. Aroin (ed.), proceedings of the conference Typology of Poetic Forms, Paris.

Drabble M. 1985, The Oxford companion to English Literature. 5th edition, Oxford University Press, Oxford, New York, Tokyo, Melbourne.

Flamenco Magazine, http://www.flamencoweb.fr

Giegerich H. 1985, Metrical Phonology and Phonological Structure: German and English, Cambridge University Press, Cambridge, London, New York, New Rochelle, Melbourne, Sydney.

Giles H. and Niedielski N. 1998, Italian is Beautiful, German is Ugly, in Language Myths, L. Baurie and P. Trudgill (eds.), pp. 85-93, Penguin Books, London,

Graham C. 2002, 2006, Jazz Chants; Let’s Chant, Let’s Sing, Oxford University Press, Oxford.

Grout, D. J. and Palisca, C. V. 2000, History of Western Music (6th edition), W. W. Norton, New York.

Hasty C. 1997, Meter as Rhythm, Oxford University Press, Oxford.

Hayes B. 2005, Textsetting as Constraint Conflict, https://www.researchgate.net/publication/247731408_Textsetting_as_Constraint_Conf lict

Herskovits M. 1941, The Myth of the Negro Past. Boston, Beacon Press.

Huart R. 2010, Nouvelle grammaire de l’anglais oral, Ophrys, Gap and Paris.

Jones D. 1977, English Pronouncing Dictionary revised by A. P. Gimson (14th edition), J. M. Dent Ltd., London and Melbourne.

Jones L. 1963, Blues People, Harper Perennial, New York, London, Toronto, Sydney.

Larroque P. 2012, The Rhythm of English and Blues Music. The American International Journal of Contemporary Research (AIJCR), vol.2/5: 123- 135, Center for Promoting Ideas, USA.

Larroque P. 2018a, The British Drive on the Left: A contrastive Approach to Language Learning. In Annales Universitatis Paedagogicae Cracovensis, M. Łodej and A. Strzałka (eds.), Studia Anglica 8.

Larroque P. 2018b, With Grammar you Go by Feel, E-rea (online) 15.2/2018, https://journals.openedition.org/erea/6186

Larroque P. 2021, English Rhythm and Blues. When Language and Music Come Together Routledge, London and New York; first published in French as English rhythm and blues. Les liens étroits entre le blues et l’anglais (L’Harmattan, Paris 2015).

Larroque P. 2023, An Introduction to Linguistics through Popular Music, Palgrave Macmillan, London, New York and Shanghai.

Lerdhal F. and Jackendoff, R. 1983, A Generic Theory of Tonal Music, MIT Press, Cambridge MA.

Liberman M. 1975, The International System of English, PhD, Massachusetts Institute of Technology.

Nazzi T. Bertoncini, J. and Mehler J. 1998, Language Discrimination in Newborns. Toward an Understanding of the Role of Rhythm. In Journal of Experimental Psychology: Human Perception and Performance, 24: 756-777.

Nespor M. and Vogel I. 1989, On Clashes and Lapses. Phonology 6: 69-116.

Parkinson T. and Vyner L. 2024, More than Words: Songs for the Language Classroom, Elements in Twenty-First Century Music Practice, Cambridge University Press, Cambridge,

Patel A. D. 2007, Music, Language, and the Mind, Oxford University Press, Oxford.

Pierrehumbert J. 2003, Phonetic diversity, statistical learning, and acquisition of phonology, Language and Speech, 46 (2-3): 115-154.

Pike K. L. 1945, The Intonation of American English, University of Michigan Press, Ann Arbor.

Ramus F. 2002, Language Discrimination in Newborns: Teasing Apart Phonostatic, Rhythmic, and Intonational Cues. Annual Review of Language Acquisition, 2, 85-115.

Roach P. 2009, English Phonetics and Phonology: A Practical Course, Cambridge University Press, Cambridge.

Rousseau J.-J. [1753] 1993, Lettres sur la musique française. Essai sur l’origine des langues, pp. 127-184, Flammarion, Paris,

Saraysky S. 2009, Language is Music, Kaleidomundi.

Schlüter J. 2005, Rhythmic Grammar. The Influence of Rhythm in Grammatical Variation and Change in English, Mouton de Gruyter, Berlin and New York.

Selkirk E. 1984, Phonology and Syntax. The Relation between Sound and Structure, MIT Press, Cambridge MA.

Temperley D. 1999, Syncopation in Rock: A Perceptual Perspective. Popular Music, vol. 18/1, Cambridge University Press, Cambridge.

Tomatis A. 1977, L’oreille et la vie, Robert Laffont, Paris.


Full Text: PDF

Refbacks

  • There are currently no refbacks.
کاغذ a4 ویزای استارتاپ

Creative Commons License
This work is licensed under a Creative Commons Attribuzione - Non commerciale - Non opere derivate 3.0 Italia License.