Janet Hobhouse: un’identità lacerata


Abstract


This work is the most detailed picture of Janet Hobhouse, a writer whose novels were translated in to many foreign languages and published at the same time both in America and in England by the most important editors, but who has been forgotten nowadays. As our aim is to propose an original interpretation of her novel The Furies, we focused on Janet Hobhouse's posthumous work, considering it as the synopsis of the author's ideology and of her feelings, as well as the highest expression of her talent and so not only a mere autobiographical work, as it is too often identified by the critics. We analyzed The Furies pointing out that it was written by combining mythology and symbolism and then we examined its peculiar blend of fairy tale and autobiography’. We investigated the author'sWeltanschaung drawing it from the comparative study of her works: novels, essays and articles. Moreover, in order to codify and to specify each topic she cherished, we had to examine the plot of her novels and into every theme they deal with; the result of our method is a dynamic account of Janet Hobhouse's thought and of its evolution in relationship to every topic she dealt with.

DOI Code: 10.1285/i22390359v8p35

Keywords: Hobhouse ; The Furies ; mythology ; symbolism ; autobiography ; Weltanschaung ; fairy tale

References


Armitt L. 2000, Contemporary Women’s Fiction and the Fantastic, Palgrave, New York. Boncza-Tomaszewski T., The Furies By Janet Hobhouse, in “The Independent On Sunday”, p. 15, (16.01.2005).

Botto M., Fortunato M., Versace D. 1987, Nettare per gli dei spade per gli eroi. Miti e leggende del mondo antico, Edizioni Il Capitello, Torino.

Bugliosi R. 2008, in Quindicinale, 2, http://www.almanacco.rm.cnr.it/articoli_scaffali. (29.09.2010).

Cattabiani A. 2000, Volario. Simboli, miti e misteri degli esseri alati: uccelli, insetti, creature fantastiche, Arnoldo Mondadori Editore, Milano.

D’Amico M., L’amore non turbi il genio, in “La Stampa”, p. 7 (10.08.2007).

Gleick E., Putting Her Demons to Rest, in “The New York Times Book Review”, p. 11 (10.01.1993).

Hill S. 1982, intervista radiofonica, in BBC Kaleidoscope, Rutgers University Libraries, New Jersey.

Hobhouse J. 1982, Nellie Without Hugo, Viking/Jonathan Cape, London e New York.

Hobhouse J. 1983, Dancing in the Dark, Jonathan Cape/Random House, London e New York.

Hobhouse J. 1986, November, Vintage, New York.

Hobhouse J. 1987, intervista in “Bomb Magazine”.

http://www.bombsite.com/issues/19/articles/910 (06.09.2010).

Hobhouse J. 1988a, Picasso’s Nudes, in “Connoisseur”, 921, Ottobre, pp.172-179.

Hobhouse J. 1988b, The Bride Stripped Bare: the Artist and the Female Nude in the Twentieth Century, Weiden & Nicolson, Londra

Hobhouse J. 1994, The Furies, Doubleday, New York (1a ed. 1992, Bloomsbury, Londra); trad. it. di Ada Arduini 2007, Le furie, Rizzoli, Milano.

Kakutani M., Form Over Function: Minimalism’s Dead End, http://www.nytimes.com/1986/09/01/books/critic-s-notebook-form-over-function- (02.04.2012)

Kakutani M., A Novelist’s Posthomous Meditation, http://www.nytimes.com/1993/01/01/books/books-of-the-times-a-novelist-s (02.04.2012)

Lee H., Travellers Down a Dark Road, in “Observer”, p. 31, (14.03.1982).

McLeod J. 2000, Beginning Postcolonialism, Manchester University Press, New York.

Merkin D., The Demons Are Out, “Los Angeles Times”, p. 2, (25.04.1993).

Morris M., No One Is Saved By Love, http://www.nytimes.com/1986/12/14/books/no-one-is-saved-by-love.html? (02.04.2012)

Palumbo V. 2007, intervista radiofonica a Valeria Palumbo http://www.radioalt.it/radioalt/news.asp?id=934 (20.03.2010)

Pollitt K., Troble With Men, in “The New York Times”, pp. 13 e 35 (18.04.1982).

Righter W. 1975, Myth and Literature, Routledge & Kegan Paul, London and Boston.

Sampietro L., Sopravvivere al destino, in “Il Sole 24 Ore”, p. 35 (29.07.2007).

Sellers S. 2001, Myth and Fairy Tale in Contemporary Women’s Fiction, Palgrave, New York.

Traversetti B. 1978, Le parole e la critica. Guida terminologica alla letteratura, Cooperativa Scrittori, Roma.


Full Text: PDF

Refbacks

  • There are currently no refbacks.
کاغذ a4

Creative Commons License
This work is licensed under a Creative Commons Attribuzione - Non commerciale - Non opere derivate 3.0 Italia License.